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Chris Grygiel |
SITES UNDER
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Chris
Grygiel’s practice is located in the dialogue
between history and memory, modifying historical documentation and cultural
fragments from a diverse range of sources to create entertaining, beguiling and
unsettling works in a range of media.
His current research includes a cataloguing and commodification
of Godard’s ‘Week
End’ and Erase(r)head,
a project involving the erasure of the David Lynch film Eraserhead. Chris
is the composer of ‘Mr. Sandman (or How
I Learned To Stop Worrying and Love The
Bomb-Bomb-Bomb-Bomb-Bomb-Bomb-Bomb-Bomb-Bomb-Bomb-Bomb-Bomb-Bomb)’ and
has recently exhibited work with the Trace
group in Manchester and Liverpool, Outpost,
in Norwich, and ROOM Artspace, London. Born in
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