Eleni Fotiadou	THE PEEPING KIT II: THE KISS
The defunct technologies are intrinsically linked to her conceptual and political concerns. The machines she uses are objects out of commerce, found or given. They are mainly the relics of an older technology more tactile and easy to use, reflecting the aesthetics of their eastern European origins. Roughness, randomness and rawness eventually shape the work, as the viewer is called to actively perform, operating the machines, moving them in non- real time. She recently screened sequences of half frame pictures using a custom bioscope projector at Louise T Blouin Institute, London. Eleni will next show a series of projections in a Byzantine temple. Born in Thessaloniki, Greece www.elenifotiadou.gr